Buena Vista in the Club: Rap, Reggaetón, and Revolution in by Geoffrey Baker PDF

By Geoffrey Baker

In Buena Vista within the Club, Geoffrey Baker lines the trajectory of the Havana hip hop scene from the overdue Eighties to the current and analyzes its partial eclipse through reggaetón. whereas Cuban officers at the start rejected rap as “the tune of the enemy,” top figures within the hip hop scene quickly confident yes cultural associations to simply accept after which advertise rap as a part of Cuba’s nationwide tradition. Culminating within the construction of the state-run Cuban Rap organisation, this technique of “nationalization” drew at the shared ideological roots of hip hop and the Cuban kingdom and the ancient connections among Cubans and African americans. whilst, younger Havana rappers used hip hop, the song of city inequality par excellence, to critique the fast adjustments taking place in Havana because the early Nineties, while the Soviet Union fell, its subsidy of Cuba ceased, and a tourism-based economic climate emerged. Baker considers the explosion of reggaetón within the early 2000s as a mirrored image of the “new materialism” that observed the inflow of international shopper items and cultural priorities into “sociocapitalist” Havana. Exploring the transnational dimensions of Cuba’s city track, he examines how foreigners supported and documented Havana’s growing to be hip hop scene beginning within the overdue Nineties and represented it in print and on movie and CD. He argues that the discursive framing of Cuban rap performed a vital half in its success.

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Buena Vista in the Club: Rap, Reggaetón, and Revolution in Havana (Refiguring American music) by Geoffrey Baker

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